keyser soze wrote:
Perfect Days
A German-Japanese co-production directed and co-written by Wim Wenders (of Paris Texas fame), starring Koji Yakusho. It's unashamedly an art-house movie and it unfolds slowly and uneventfully over two hours. John Wick it ain't, and I'm guessing many of you will find it dull and pointless. Well, if you do, you're wrong.
It's a beautiful, existential film, that doesn't spoon-feed you a story line but instead asks questions about how to live your life in the face of loneliness, disappointment and drudgery. Yakusho stars as Hirayama, a single, late middle-aged man living in a down-at-heel Tokyo suburb in a scruffy apartment with no bathroom. He works as a toilet cleaner, leaving home every day at dawn to clean some really fancy public toilets across town in an affluent district. He is highly dedicated to his cleaning tasks at which he is meticulous. His life is one of simple routine, which Wenders is not afraid to demonstrate by shooting the routines over and over. However, Hirayama has a rich inner life, with a passion for trees (which he both grows at home, and photographs during his lunch break every day). He also loves literature (including Western writers such as William Faulkner) and Western music which he listens to on cassette in his van.
As an aside, the soundtrack is great, including tracks by the Velvet Underground and Pattie Smith.
Outside of work, Hirayama frequents the same restaurants, bars, laundromats and bath-houses in a well-ordered routine. However, a few interactions shake his routine a little. One is caused by his young and boisterous assistant cleaner who needs Hirayama's help to try and win over a girlfriend. Next, his teenage niece arrives, having run away from home, having argued with her mother, Hirayama's sister. This episode gives some hints at a previous and very different life and what may have led to the life Hirayama now leads. Finally, a random interaction with the ex-husband of the bar-keeper who runs the bar Hirayama goes to also raises some existential questions.
Through it all, Hirayama exhibits a serene happiness (or, at least, contentedness), although the interactions above shake that temporarily. We finally see Hirayama driving his van, listening to Nina Simone singing "Feeling Good" and exhibiting a wide range of emotions.
And that's it. I found it quite profound and thought provoking and also very moving. Give it a try.
8/10
You've enticed me to rewatch Wenders' greatest piece of work in Wings Of Desire. Expect a glowing review in the coming days, and I really like the sound of Perfect Days. Sounds right up my street.